Photo gallery
Folk Music of Townspeople 1
Source:    [ Big Normal Small ]   Comment

  Like any other ancient nations , the primitive Chinese sang folk songs at hunting , sacrificial rites , wooing , wedding , and pasturing . “The working people sing at their work ; the hungry people sing at their meals”. (the “Book at Poems” ) Most folk songs listed in the guo feng (ballads) section in the “Book of Poems” are of this kind . Such ballads were mostly in the form of four syllables a line . The wide use of the form promoted the development of ballads . Take for instance , the first ballad listed in the “Book of Poems” , “Looking at Waterfowl” . It was a love song sung by a young man wooing a young woman . Its content was fresh and charming and its tonal pattern made it highly singable
  周南。关雎
  关关雎鸠,
  在河之洲。
  窈窕淑女,
  君子好逑。
  South of Zhou : Cooing of Waterfowl
  By riverside a pair
  Of turtledoves are cooing ;
  There’s a good maiden fair
  Whom a young man is wooing .


  As mentioned , in ancient times the Chinese music was often confined to the palaces and mansions . The common populace , who created it , was not in a position to enjoy it . In the Sui-Tang Dynasties , this state of affairs began to undergo a change . The fairs held near Buddhist abbeys became places for musical activities . Sometimes , song Dynasty , this state of affairs underwent a fundamental change , with the flourish of the cities and the increase of commercial and handicraft activities . The townspeople were able to find places for their musical activities at “pleasure quarters” and “brothers” . Before the Song Dynasty , music was represented by the court musical activities . After the Song Dynasty , music was represented by the musical activities in these places , and later by the performances in “theatres” , “teahouses” , etc . Since then the history of the Chinese music was concerned with the townspeople’s music ( or the folk music) instead of the court music .

    People pursued music for pleasure . The townspeople were more preoccupied by the “popular music” than by the “refined music” in spite of teachings of Confucianism . Compared with the refined music , the popular music sought after was often music overridden by sensual stimulation , so that the mind of the people might be fully liberated , and that their pursuits for life and love might be fully displayed . For example , the song in a Yuan drama , written by Wang Heqin , as follows:
  Take Back Home a Drunken Man
  “My mouth is against his hair . His back is against my breast . I caress his neck with my cheeks . He breathes heavily and sleeps soundly . All night I cannot see his face . And I just comb his back with my teeth”.
  A few words portray vividly a drunken husband and a sorrowful wife . The song was charming and interesting . It satisfied the recreational need of townspeople and dissipated the anxiety and stress incurred in daily life .

.  Again take the example of another popular song in the Qing Dynasty :
  Where is my darling at present ?
  For whom do blooms open?
  Why not wild goose brings his letter?
  Befalls on my hear poor lovesickness .
  Tears are rolling down my pale cheeks .
  So much scare and so much sadness .
  How could woman alone resist?
  This is fairly shallow song , but is touching . 


Comment
Your name View comments
About Us  |  Coorperation  |  Links  |  Contact us  |  sitemap
Copy Right © 2006-2009 hibeijing2008 www.hibeijing2008.com